It was in early 2006, about March or so, when Jim Gaynor of the band Grooble and Lance Reegan-Diehl noticed a precipitous increase in the number of people playing music, forming bands and performing at open mics. There were dozens, at least, of expat musicians playing anywhere they could and in front of just about anyone. But it was a fragmented, unorganized scene. What was needed was a “da ...